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Still, I am surprised by the relative scarcity of recent attempts at a working definition of the female gaze, one that leaves room for intersectional critique and expansion — not an inversion or extension of the male gaze, but a complete restructuring.
She knew this was the last evening she should ever see the prince, for whom she had forsaken her kindred and her home; she had given up her beautiful voice, and suffered unheard-of pain daily for him, while he knew nothing of it.
Winter 2020
But in many of even the most enthusiastic reviews, there is a pervasive off -ness — a compulsive focus on how the film looks, at the expense of any meaningful exploration of its ideas.
Description: She is escaping Berkeley and the specter of her late ex-husband, whom we see collapse in a flashback, poisoned goblet clattering to the floor alongside him.
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You poor, illiterate Philistine.